One Nation Arc 1 (Issues 1-4)
Written and Created by Jason Reeves; Art: Jason Reeves, Various (Published by 133art)
Synopsis
Across continents—from the streets of New Orleans to the alleys of Bangkok and the savannas of Kenya—superhumans known as Keramats walk among us. But power doesn’t come without consequence. This is no ordinary superhero tale—One Nation blends political intrigue, moral complexity, and explosive worldbuilding in a narrative that dares to challenge everything you thought you knew about the genre. Created by 133art; a collective of independent comic visionaries, this series is storytelling at its most fearless.
Draped in Finesse
If you’re into Black indie superhero comics that deal directly with racial and social issues, One Nation might catch your interest, but be ready for a mixed bag.
The series kicks off with strong symbolism: Paragon, a superpowered Black man draped in the U.S. flag, enters the public eye during the Gulf War. His story follows the usual Superman beats, complete with an origin flashback, government interest, and public tension. While this structure isn’t bad on its own, One Nation doesn’t do much to set itself apart narratively. The message is clear, but the delivery lacks finesse.
The art is solid overall. The creator Jason Reeves is a masterful illustrator who’s work is best featured in the action-heavy war scenes in issue one. However, the lettering, especially in the first issue, is weak. The story pacing is choppy, flipping between long-winded exposition dumps and extended fight scenes with zero stakes.
Team Work, Dream Work
By Issue 3, the book shifts into building a team and teasing a larger villain. Reeves also pulls in a stellar creative team with writers Alverne Ball and Robert Jeffrey II. Artist Mario Torrisi continues Jason Reeves’ polished storytelling. Although the execution feels rushed at times, a few new characters, like Stronghold from another 133art book, bring some intrigue (shout out to Greg Anderson-Elysée). The team-up angle, though a bit undercooked, brings a “To me my X-Men” vibe, as each team member handles their respective challenges in their own unique way. Issue 4 leans harder into real-world politics, kicking off with a BLM protest and continuing the social focus, but again, the story struggles to balance message with momentum.
In Paragon We Trust
All that said, Paragon is still an interesting enough character to carry a comic series on his shoulders. The creators have taken the time to flesh him out on the page, making him the most developed and compelling hero in the book. With the right supporting cast, and perhaps a mentorship dynamic with an older hero from the 133art universe, there’s real potential for him to grow and shine in future issues.
OneNation: Arc1
Award winning creative team. Execution needs refinement to stand out in a crowded space.
GOOD
Solid art direction, especially in the action scenes
Ambitious attempt at a shared universe
Clear social commentary with real-world relevance
BAD
Pacing issues: long, draggy fights and exposition-heavy scenes
Paragon lacks depth and originality
Team-building and villain setup feel rushed
UGLY
Relies heavily on tropes from Superman and Captain America without adding much new
The system/racism as the “villain” works thematically but lacks storytelling punch

Alan Lynch is an up-and-coming indie reviewer and lifelong fan of comics, pop culture, and all things sci-fi. With a sharp eye for storytelling and a passion for independent creators, Alan dives deep into the worlds of comics, movies, and video games. He brings thoughtful, honest reviews that spotlight emerging talent and celebrate the creativity driving the indie scene.
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